The artist has created different grids and cubic planes in black and white or in color that interpenetrate. A software specially designed for the work makes it possible to randomly create geometric images. Growth, multiplication, seriality, repetition and disappearance, the form is a permanent construction. This creation stems from a logic of the virtual, a non-Euclidean geometry, upsetting the notions of space and time. It pushes Cézanne's research on the organisation and geometrisation of space (opening the way to cubism), suprematism, geometric abstraction and abstract cinema from the beginning of the 20th century.
This creation is a continuation of kinetic art, whose research focuses on light, movement and optical illusion. It crosses the research of Victor Vasarely, François Morellet, Julio Le Parc, "combinatory art" whose elements were codified or programmed to compose works ad infinitum. Between order and disorder, form and chaos, these cybernetic meshes build a real aesthetic of the ephemeral and the virtual.