FRIEZE NEW YORK: FRANÇOIS MORELLET
FRANCOIS MORELLET, 20% de carrés dégradés pivotés au centre 5 fois, 1970
FRANCOIS MORELLET, 5 impressions décalées: bleu, vert, jaune, orange et rouge, 1969
FRANCOIS MORELLET, 20% de carrés superposés, 1970
FRANCOIS MORELLET, 3 trames de carrés = 1 trame de tirets, 1975
FRANCOIS MORELLET, 2 trames inégales avec 5 interférences, 1974
FRANCOIS MORELLET, 2 Trames 76º, 90º, 1974
FRANCOIS MORELLET, 19 lignes parallèles et 21 lignes parallèles avec 1 interférence, 1974
A solo presentation of the artist in partnership with Dan Galeria.
A self-taught artist, François Morellet (b. 1926 - d. 2016 Cholet, France) first exhibited his geometric tone-in-tone pictures in 1950 at the Galerie Creuze in Paris. In the mid-1950s he was preoccupied with configuring the picture field as an infinite structure reaching beyond the confines of the picture itself, superimposing painted grids realised in wire-‘Trames’, then later working with neon forms, some of which can be activated by the spectator.
Morellet created his own systems, in which he includes the elements of chance and whimsy to counteract even more with the arbitarriness of any decision of artistic order. In 1960 Morellet joined GRAV (Groupe de Recherche d’Art Visuel: 1960-1968), a group of kinetic artists including Julio Le Parc who explored the possibilities of the visual arts in a scientific and experimental way.
From 1968 François Morellet became interested in architecture and public spaces. He was given commissions for the Centre Culturel in Compiègne, a section of La Défense in Paris and the Kröller-Müller Museum Park in Otterlo.
A major retrospective of François Morellet is also currently on show at the Dia Foundation, New York until the 2 June 2018.